Art Talk with Gay Bechtelheimer
Artist and educator Gay Bechtelheimer will return to the SAAC stage with a new spring "Art Talk" lecture series. Please join us for a brief reception, followed by an entertaining dive into the context, characters, and culture of a variety of art movements.
September 25, American painter Edward Hopper
Thursday Evening, reception in the gallery at 6:30 p.m. with the lecture to follow in the theatre
Free Event • Wine, Beer, and a Snack • Open Seating
Sponsored by PotlatchDeltic
Reservation Encouraged • Complete the Form Below or Call 870-862-5474
SAAC launches the newest season of Art Talks with Gay Bechtelheimer on September 25 at 6:30 pm. For the first lecture of the series, Bechtelheimer will take a deeper look at renowned American painter Edward Hopper.

Early Sunday Morning, Edward Hopper, 1930, The Whitney Museum of American Art
Regarded as one of America's foremost realistic painters, Hopper's famous works include scenes as iconic as Nighthawks (1942) and Early Sunday Morning (1930). His work often depicts the stillness beneath the business of urban America, balancing realism with psychological depth. Even today, the quiet streets, empty diners and austere cityscapes of Edward Hopper's paintings continue to captivate with their haunting and nostalgic familiarity.
Hopper's work was initially covered during the early days of Bechtelheimer's Art Talks, but bears revisiting for both its artistic significance and its formidable presence in American museum collections, including the Whitney Museum of American Art, the Museum of Modern Art, and the Art Institute of Chicago.
"Hopper's paintings resonate because they reflect our own moments of pause," said Bechtelheimer. "His imagery, isolated figures at windows, gas stations on empty highways, and theater interiors glowing with artificial light-captures both the beauty, melancholy, and solitude of modern existence."
The free event will begin with refreshments starting at 6:30 p.m. in the gallery, followed by Bechtelheimer's presentation onstage.
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